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The Golden Compass
Directed By Chris Weitz
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Yet another movie that oversimplifies the book. Now anyone who's read Pullman's trilogy will know about the theories the author expounds at every chance. The movie cuts most of the 'philosophy' and insists on torturing us with extended scenes of the ruler-like Mrs Coulter and the monkey. If I thought there was a silver lining in all of this, it's Pantalaimon's voice. Truly gentle and androgynous creature. Sister says Dakota Blue Richards resembles the guy who played Faramir, David Wyndham. I think she's not off the mark.
Bram Stoker's Dracula
Directed By Francis Ford Coppola
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What can one say when confronted by drivel such as this? Who cares if it's Francis Ford Coppola? The man deserves no special hushed reverence. He's not Stanley Kubrick. The movie is unnecessarily erotic. Mina and Lucy become lesbians when the Demeter arrives; Jonathan Harker - portrayed to fantastic wooden perfection by the bewildered Reeves - gets bitten in the wrong places by topless bitch vampires; Van Helsing, my only favourite thing in Stoker's collective oeuvre, is as lusty as the rest of the crazies when he slobbers all over Mina's non-existant boobs. I could go on. Eroticism aside, what's up with the misleading title? It's Coppola's Dracula not Stoker's. What the director did was simple and effective - in toppling the integrity of Dracula's profusions of blood spewing adoration of his wife. If the Prince became an undead out of love for that special ninny portrayed by the ninny incomparable, Ryder, what was he trying to prove to her by raping her best friend in bat/wolf mode? Like, what was that for?
Papillon
Directed By Franklin J. Schaffner
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Steve McQueen and Dustin Hoffman make an unlikely pair in this film adaptation of a French novel of the same name. McQueen plays the eponymous protagonist bent on escaping from jail. Papillon's misadventures are supposedly based on the ex-con author's experiences. Whether his claims are genuine or otherwise, his dogged determination to be free at all costs is remarkable. The landscape depicted throughout is wet, muggy and surely infested with mosquitoes. The escape sequences are brilliantly shot. The audience, already in cahoots with the principal characters' desires to be free, is made to sit through nail biting moments of taut drama and tension.


